戰時東亞殖民地作家的變奏──朝鮮作家張赫宙與台灣作家的交流及其比較 Deviation of East Asia Colonial WritersDuring Wartime:Comparisons and Exchanges between Jang Hyukjoo andTaiwanese Writers
棄、背叛與回家之路──李永平《雨雪霏霏》中的雙鄉追認 Abandonment, Betrayal and Home Return:The Retracement and Recognition of Dual Home Countries inLi Yong-Ping’s Rain and Snow Falls
晉身帝國的焦慮──從森鷗外的《航西日記》及《徂征日記》之征旅文字出發 The Anxiety of Becoming an Empire: An Analysis of Narrative of Mori Ogai’s Kosei-Nikki and Sosei-Nikki
戰爭時期台灣文學的審美化傾向及其意義 Aesthetic Tendency and The Meaning of Taiwan Literature During the Late Japanese
空間語境與歷史暴力──論葉石濤1965後復出階段的鬼魅書寫 The Space Context and Historical Violence: Discuss the Ghostly Writings of Yeh Shih-t’ao’s Works After 1965
血液的「曖昧線」──台灣皇民化文學中「血」的表象與日本近代優生學論述 The Boundary of the “Blood”:The Representative of “Blood” in the Literature of the Imperial Subjectiveand the Eugenic Discourse in Modern Japan
戰爭‧囚禁‧逃亡──試探商禽的戰爭創傷書寫 War . Imprison . Escape: Try to Discuss Sang Ching’s Traumatic Writing
「流亡」在香港──重讀張愛玲的《秧歌》與《赤地之戀》 “Exile” in Hong Kong: Re-reading Eileen Chang’s The Rice-Sprout Song and Naked Earth
向「民間」靠近──台灣三○年代民間文學論述及其文化意涵 Going Among the People: The Taiwanese Folk-literature Discourse and its cultural meanings in 1930s
