大和心與情真說：日本江戶時代的國學和晚明文藝思潮 The Japanese Spirit and the True Feeling Theory: Study of Japanese Classical Literature in Japan’s Edo period and Literary Trend in the late Ming China
從「殖民」到「公民」：梁啟超的「南洋」經歷、華僑想像與建言 From Colonization to Citizenship: Liang Qichao’s Nanyang Experience, Imagination of Overseas Chinese, and Political Propositions
畫譜、畫本與歌留多：江戶時代唐詩圖像編集的信息轉譯 From the Illustrated Anthology, the Illustrated Book, to the Karuta: Information Translation of Tang Poetry Imagery Compilation in the Edo Period
近代日本古典籍複製領域中的出版商與印刷技術：以七條愷家族為中心 Publishers and Printing Technologies in the Reproduction of Classical Texts in Modern Japan: A Case Study of the ShichijōGai Family
十九世紀西方活字印刷術對中日兩國紙張製造的影響：以紙張無損微觀分析為切入口 The Impact of 19th-Century Western Movable Type Printing on Papermaking in China and Japan: A Study Based on Non-Destructive Microanalysis of Paper
《明心寶鑑》版本再考及其輯錄俗談的意義——兼與《治家節要》之比較 A Re-examination of the Editions of Mingxin Baojian and the Significance of Its Collection of Proverbs: A Comparative Study with Zhijia Jieyao
休說我南工界進，最傷心是越人圖──越南阮朝啟定皇帝在現代文明與殖民處境下的「御駕如西」之旅 Stop Claiming Vietnam's Progress; it's Heartbreaking to See：The Western Tour of Emperor KhảiĐịnh of the Nguyễn Dynasty of Vietnam under the Context of Modern Civilization and Colonial Rule
俄羅斯遠東的天后廟碑：一段未知的北地東亞文化交遇 An Unexpected East Asian Cultural Encounter in the North Land: Tianhou Temple Stele in the Russian Far East
敬天授時：《周禮》依「時」行令的意義斠理 Heaven Revered, Time Ordained:The Meaning of Issuing Seasonal Ordinances in the Zhouli
花園莊東地甲骨「□」字新釋 A New Interpretation of“□”in the Oracle Bone Inscriptions Unearthed from the Eastern Archeological Site at Huayuanzhuang
「幻形」與「換型」：《混元盒》的文本衍異與搬演文化 Shapeshifting and Transformation: Textual Amplify and Performance Culture of Hunyuanhe（混元盒）
臺灣早期出版《三國演義》彩繪封面與嘉義地區寺廟彩繪三國故事之考察 A Comparison of Illustrated Covers of Chinese Classical Popular Novels Printed in Taiwan and Romance of the Three Kingdoms Paintings in Chiayi Folk Temples
