說「告」 On the Character“gao(告)”in the Oracle Bone Inscriptions
「屰」字構形演變研究 The Research of Character「屰」(Ni)Formation Development
《慧琳音義》引玄奘《藥師經》梵漢詞彙對比 A Comparative Study of the Sanskrit-Chinese Lexicon in Xuan-Zang's Sutra of the Medicine Buddha Based on Pronunciation and Meaning in the Buddhist Scriptures Compiled by Huilin
《莊子》「即物而道」的身體現象學解讀 Interpretation of“Body Phenomenology”in“Things upon Tao”of Zhuangzi
文學實證之「由靜趨動」：評陳廣宏《文本、史案與實證：明代文學文獻考論》 Transition of Textual Research from Statics to Dynamics: Review on Text, Individual Cases and Textual Research
謝肇淛《五雜組》中的物質書寫與地域視野 Object Descriptions and Geographical Perspectives in Xie Zhao-zhi's Wu Za Zu
清順治京師詩壇之盛世話語：以北籍仕清文人為考察 Jing Shi Poetic Circle of a Flourishing Period during Qing Dynasty Shunzhi (1644-1661)–An Examination of the North Ching Official literati
晚明至民初視覺文化與男同性關係之想像 Visual Culture and Representations of Male Same-Sex Relationships in Late Imperial and Early Republican China
周瘦鵑與紫羅蘭：文學商品的建構及其文化意涵 Zhou Shoujuan and Violet: The Formation of Literary Commodity and Its Cultural Significance
時尚無罪：《紫羅蘭》半月刊的編輯美學、政治意識與文化想像 Fashion is No Crime: The Aesthetics of Editorship, Political Awareness and Cultural Imaginary of the Semi-Monthly Ziluolan
介於小說與非小說之間：明清白話小說的全球性以及新發現的清初話本小說早期的西譯 Between Fiction and Non-Fiction: The Global Nature of Ming/Qing Xiaoshuo and a Newly Discovered Early Western Translation of a Qing Dynasty Short Story.
朝鮮時代中國小說的接受及其文化意義 Acceptance and Dissemination of Chinese Novels in the Joseon Dynasty
