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東吳中文學報 Soochow Journal of Chinese Studies |
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201711 (34期)期所有篇 |
- 論「任筆的文學史地位——以任昉在文體革新方面的成就為中心 On “the prosaic writing of Ren” (Ren bi) and Ren Fang's Place in Chinese Literary History: Analysis of Innovative Writing Style of his literary works
- 《雲仙散錄》之撰作時代:由書中所錄之唐人詩文才華故實析論 The Writing Times of Yun Xian San Lu an Analysis of Historical Facts and Anecdotes Pertaining to the Tang Poets and Talents in the Book
- 明代《日記故事》類書籍之刊印及其在日本之傳播——以《新鍥類解官樣日記故事大全》為中心的考察 The Publishing of Riji gushi during the Ming Dynasty and Its Spread in Edo Japan Based on the Research of Xinqie Leijie Guanyang Riji gushi Daquan
- 論清初《說文》學之興起 A Study of Shuo Wen in the Early Qing Dynasty
- 論戴震「絜情」——從儒簡「貴情」談起兼以對比西方情感論德性倫理學之「同情」、「移情 A new perspective of Da Zhen's philosophy based on ancient Bamboo Slips and Western Virtue Ethics
- 論《昭代詞選》的編纂意義與其對雍乾詞壇的建構 On the Significance of “Ci-Poetry Selection of a Venerated Dynasty” and Its Construction in the Ci-Poetic Society in the Yongzheng & Qianlong Periods
- 桅影重疊與醫國隱喻:《花月痕》中的「逆倭」及時局寄託 The Shadow of the Familiar Sailships and the Metaphor of Healing the Country: Wokou and Europeans in Hua Yue Hen
- 上海香菸廣告梅蘭芳京劇圖像研究——以京劇鼎盛期為例 The Studying of Mei Lan-Fang's Images of Peking Opera on the Cigarette Advertisements in Shanghai During the Heyday of Peking Opera
- 歷史小說與近代主義——再探施蟄存《將軍底頭》 History Story and Modernism-- Further Reflections on Shi Zhe-cun ‘s The General's Head
- 論唐君毅紓解陽明與船山義理衝突 Synthesizes Wang Yangming and Wang Chuanshan by Tang Junyi philosophy
- 「告白」與「技藝」的書寫退路——論李喬《重逢——夢裡的人:李喬短篇小說後傳》 A Discussion on Li Chiao's “Reunion – The People in My DreamsSequel of Li Chiao's Short Stories”
- 咒詛,養生,安魂——論李喬「幽情三部曲」斯土/斯民之裂解/和解歷程 Curse, regimen and requiem-The discussion of Lee Chiao's “Sentimentality Trilogy” for the process of separation and reconciliation between our land and our people
- 說何等,云何說——論「云何1體詞性主語用法的來源與演變 The Origin and Change of “YUN HE” on the Functions of Substantive
- 元明雜劇《抱粧盒》對明代新南戲《金丸記》流傳的影響 The Impacts of Bao Zhuanghe in the Yuan and Ming Drama on the Circulation of Jinwan Ji in the Ming
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