英文摘要 |
In the 32nd year of Qianlong (1767), Chiang Chung-kwong (蔣重光) had completed the compilation of Ci-Poetry Selection of a Venerated Dynasty (昭代詞選), a large-scale ci-poetry selection in the mid-Qing Dynasty with a total of 38 volumes, in which 574 ci-poets and 3,412 ci-poems from the 1st year of Shunzhi (1644) to the 32nd year of Qianlong (1767) were collected. From the aspects of compilation regulations and the construction of ci-poet groups in the ci-poetic society in the Yongzheng & Qianlong periods, this study aims to explore the position of Ci-Poetry Selection of a Venerated Dynasty in the history of the ci-poetry selection in the Qing Dynasty and the development of ci-poetry, and further discusses the influence of ci-poetry selection on the shift of literary culture. Chiang Chung-kwong attempted to exploit the ci-poetry selection to construct his own sovereigns (
宗主) of the Ci-Poetic Society in the Yongzheng & Qianlong periods by describing his friends Shen Guang-yu (沈光裕) and Zhang Yu-gu (張玉鼓) as Chen Wei-song (陳維崧) and Zu Yi-zun (朱口尊) in the Early Qing Dynasty, deliberately belittling the writers of the West Zhejiang School of Ci-Poetry (浙西詞派‑) in the Yongzheng & Qianlong periods and praising the ci school of Xiaoshan (小山詞社) among the feudal kings in Taicang. All of these moves were contrary to the mainstream theories that advocated Zhe School (浙派 ) and praised elegance and uprightness (雅王) at the time, which also caused Ci-Poetry Selection of a Venerated Dynasty to draw heavy criticism from later critics. The ci-poets selected in Ci-Poetry Selection of a Venerated Dynasty may not be the mainstream of the time; nevertheless, the contribution and effort that Chiang Chung-kwong had made to the construction of the ci-poet groups can still be regarded as an alternative voice that stood out in the ci-poetic society in the Yongzheng & Qianlong periods. |