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東亞觀念史集刊
Journal of the History of Ideas in East Asia |
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| 202006 (18期)期所有篇 |
- 「中國思想與書畫美學」專題引言 Introduction to“Chinese Thought and the Aesthetic of Chinese Calligraphy and Painting＂
- 東漢中晚期的忠孝觀念解體──以漢碑為例 The Change of the Loyalty and Filial Concept in the Middle and Late Eastern Han Dynasty: Take the Han Dynasty Stone Tablets as an Example
- 唐人以來《蘭亭》接受觀念流變研究──兼論「蘭亭論辨」產生的觀念史根源 The Evolution of Lanting’s Ideas since Tang Dynasty: Also on the Origin of the History of Ideas Produced by“Lanting Argument”
- 公德的消失：在「藝術」取代「美術」的背後 The Disappearance of Public Morality: The Replacement of Fine Arts with Art
- 漢晉之際「君臣一體」論發微 On the“Unity between the Monarch and the Officials”during the Han-Jin Transition
- 主義知識的旅行：「小冊子」與五四前後四川的無政府主義 The Travelling of the Knowledge about“-ism”Pamphlet and Anarchism in Sichuan around the May Fourth Movement
- 1920年代韓國天道教集團的「文化」觀念──以《開闢》雜誌為例 The Idea of Culture of the Group of Cheondokyo in 1920s Korea: Taking GaeByeok as an Example
- 愛與慾的辯證──從愛瑪．高德曼在中國的譯介談北伐前後無政府主義者的性愛論述 The Dialectics of Love and Sex: Chinese Anarchists’Sex Radicalism via the Translation and Adaptation of Emma Goldman’s Works in the 1920s
- 「肉感」與摩登上海：試窺二三○年代現代小說中的肉體、視覺與現代性 “Sensuality”and Modern Shanghai: A Study on Body, Visuality, and Modernity in Modern Novels in 1920s and 1930s China
- 以「概念」來勾勒近代中國的意義之網：評方維規著《概念的歷史分量：近代中國思想的概念史研究》 Use Concepts to Outline the Webs of Significance in Modern China: Book Review: Fang Weigui, Gainian de Lishi Fenliang: Jindai Zhongguo Sixiang de Gainian Shi Yanjiu
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