重新省思日治時期台語流行歌曲──以民謠觀的建立和音樂近代化作為觀點 Reconsidering Taiwanese Popular Songsduring Japanese Colonial Period:From the Perspectives of the Establishment of Folk SongConcept and Music Modernization
禁錮與救贖──舒暢《那年在特約茶室》與梅濟民《火燒島風情系列》探析 Imprisonment & Salvation:Analysis of Shu Chang’s The year at the Brothel and Mei Ji Min’sFiery Island Series
煩擾的肉身──楊德昌電影裡的少女形象 The Body That Hurts: The Representation of Adolescent Girls in Edward Yang’s Films
從江南到台南──台南總趕宮總管傳說之演變與信仰網絡的形成 From Jiangnan to Tainan: The Evolution of “Zong Gan Temple” Legend and the Formation of Belief Network
聖靈與凡軀──論七等生〈目孔赤〉、〈環虛〉中自我與他者的倫理關懷 The Holy Spirit and the Mortal Body: On the Ethical Concern of Self and Others in Qi Deng-Sheng’s Mù Kǒng Chì, Huán Xū
雙面一九八三──試論陳映真與郭松棻小說的文學史意義 Double-faceted 1983: Exploring the Significance of the Fiction by Chen Ying-Zhen and Kuo Sung-Fen in Literary History
《三世人》人物的認同形構與身分重組──綜論「台灣三部曲」及其「不在場」的國族寓言 The Identity Formation and IdentityReconfiguration in the Characters ofThree Generations of People:A Comprehensive View of Taiwan Trilogy and the NationalAllegory of Absence
暴力與正義──論林燿德的都市文學觀 Violence and Justice: Lin Yaode’s Concepts of Urban Literature
台灣原住民文學裡的殖民重層──以夏曼‧藍波安的書寫為例 The Colonial Palimpsest in Taiwan Indigenous Literature: An Example of Syaman Rapongan’s Writing
