英文摘要 |
Both Shu Chang’s The year at the Brothel and Mei Ji Min’s Fiery Island Series werepublished in the 90’s. The two works are based on the two writers’ own experiences(military / freshmen) in the martial law period, writing about the body in two spaces,“Brothel” and “Green Island Prison,” respectively.One being an anti-communist fortress and the other being an evil island for imprisoningcriminals, Kinmen and Green Island both has symbolic meaning which iscounter to Taiwan’s. Even though facing the inability to take the initiative to reverse thespaces, the writers have their own subjective emotions and thoughts. While protestingagainst the degrading notion imposing on them, the writers were also deep thinkingabout the issue of self-existence. This paper analyzes the main image of water in the twoworks conveying the writers’ craving for freedom, desire, knowledge and life. In the callingof water’s original material image, the both two writers unified not only the primitivequalities from the water itself, but also the desperation to live in the isolated island,and rewrote the way the state machine symbolized space as well. When facing the severeimprisonment of the body, the characters in the novels show their will to survive;moreover, on the basis of space, the characters’ searching for a way out through the dialectical of the body and the mind, and imagining the co-construction of subjectand image, made the two writers temporarily subsided the worldly misfortune in theimage world. |