煩擾的肉身──楊德昌電影裡的少女形象

The Body That Hurts: The Representation of Adolescent Girls in Edward Yang’s Films

縱觀楊德昌導演的電影生涯，在全部的七又四分之一部作品裡，少女的角色占據著極其重要的位置，貫穿楊德昌導演創作的始終。有鑒於此，本文以身體理論及相關的性別學說為工具，著力於梳理和發現楊德昌導演作品中少女形象的特徵和意涵。有別於諸多先行研究強調楊德昌作品宣揚女性自主自立的女性主義傾向，本研究認為楊德昌的電影作品在充溢著對女性的理解與同情之下，同時也潛藏著一種女性嫌惡的氣息，而深究之下這又和整個社會文化的深層結構息息相關。

The frequent and continuous appearance of adolescent girl characters constitutes aconspicuous characteristic of Edward Yang’s films. In the light of body studies and genderstudies, the aim of this paper is to analyze the cinematic representation of adolescentgirls in Yang’s works and reevaluate the widely-accepted view that Yang’s films are feministtendentious. And this analysis from a body-focused perspective reveals a misogynisticunder stream in Yang’s works.