重讀李榮春：論《祖國與同胞》的身分編輯與戰爭觀 Reread Li Rong-Chun: The Identity Editing and the View of War in Motherland and Compatriots
如何測量情色的深度──李喬與鍾肇政、葉石濤的情色論對話 How to Measure the Depth of Eroticism: Lee Chiao’s Erotic Dialogue with Chung Chao-Cheng and Yeh Shih-Tao
啟示與傳道、天國與家國──論宋澤萊中／長篇小說之《聖經》詮釋與文學價值 Apocalypse and Preach, Heaven andHomeland:Song Zelai’s Interpretation of the Bible and the Value ofLiterature in His Novels
灣生‧怪胎‧國族──《惑鄉之人》的男男情欲與台日情結 Wansei, Queer, and the Nation: Male-male Desire and Taiwan-Japan Complex in People of Confusing Homeland
詩人在南洋：林景仁《摩達山漫草》、《天池草》探析 The Poet in Nanyang: An Analysis of Lin Jin-Ren’s Voyage in Brastagi and In Lake Toba
帝國漢文的「南進」實踐與「南方」觀察：日人佐倉孫三的台、閩書寫 The Observation on “the South” and Practices of Imperial Han-wen: Taiwan and Fujian’s Writings of Magozo Sakura
從圖像詩到視覺詩：中國暨義大利當代詩人視覺詩畫聯展（1984）、視覺詩十人展（1986）之理論與實踐文本 From Concrete Poetry to Visual Poetry:Theoretic and Practical Text from “Visual Poetry & Paintingof Chinese & Italian Contemporary Poets” (1984) and “VisualPoetry of Contemporary 10 Poets” (1986)
