「體」現中國？：1950－1960年代威權統治下的臺灣民族舞蹈與創作能動性 Dancing China ? : Exploring Artistic Creativity in the Nationalistic Dance under an Authoritarian Regime in Taiwan during the 1950s and 1960s
離散的邊界：離散論述、土腔電影與《初戀紅豆冰》 The Frontiers of the Diaspora: Diaspora Discourse, Accented Cinema and Ice Kacang Puppy Love
以「部落」之名：籌設原住民族部落學校的脈絡和論辯 In the Name of “Tribe” : The Context and Debate on the Establishment of Indigenous Tribal Schools
「忘記中國性」，然後呢？在分斷體制內的思考 “Forget Chineseness,” and Then ? Thinking within the Division System
實用主義的認同：體制／文化與地緣政治 Pragmatic Identification: Institution/ Culture and Geopolitics
唱自己的歌，聽自己的聲音：評許維賢《華語電影在後馬來西亞：土腔風格、華夷風與作者論》 Song and Voice of Myself: A Review on Hee Wai-Siam's Post-Malaysian Chinese-Language Film: Accented Style, Sinophone and Auteur Theory
反戈一擊：記亞際文化研究社群暨亞際文化研究讀本出版 Turn Back to Hit: On the Publication of the Inter-Asia Cultural Studies Reader in Chinese and Its Research Community.
