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世新中文研究集刊 Journal of The Institute of Chinese Literature Shih Hsin University |
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201409 (10期)期所有篇 |
- 民初至七十年代杜甫研究政治影響之檢討 Political influence in the Study of Du Fu from Early Republic to the Seventies
- 後現代視閾下文學理論的語義拓展 Semantic Expansion of Literary Theory Under Postmodernisms View
- 《荀子.天論篇》楊倞注正補 The revision and supplement of Liang Yang's annotaion on Xun-Zi's Tiang-Lung chapter
- 明代戲曲本色論的轉向:以吳江派曲家沈璟、王驥德、呂天成、馮夢龍曲論為核心的討論 A Diversion of the “Ben-Se” Theory in Chinese Drama in The Ming Dynasty: Base on Shen Jing, Wang Ji-De, Liu Tian-Cheng and Feng Meng-Lung Drama Theory
- 從「夾谷之會」的詮釋觀察漢初的孔子形象 An observation of the image of Confucius from the interpretations of “Meeting of Jia Valley” in the early Han Dynasty
- 《荀子‧正論篇》研究以「主道利周」、「太古薄葬」、「見侮不辱」、「情欲寡」四則為主 Study of Rectify Fallacy in Xun Zi: “The king hides his mind from courtiers to maintain his own benefit”, “The funeral was simple in Ancient time”, “Don't feel ashamed by humiliated”, and “Human with less desires.”
- 江聲《尚書集注音疏》對惠棟學術之繼承及開展 A Study on the Inheritance and Development of the Hui Tung Science from Chiang Sheng Shang shu ji zhu yin shu
- 穆時英小說中的上海書寫初探 Introduction to Shanghai Writing in Mu Shiying's Novels
- 以字為謚——論追贈鄭俠之〈謚議〉 Applying Courtesy Name to Posthumous Name-Reading Two Petitions for Bestowing Posthumous Name upon Zheng Xia
- 唐玄宗的內官改制及其「三妃」考 The Research on the Change of Emperor Xuanzong's Rank of Imperial Consorts and His Three Concubines
- 書寫異/易世——論《剪燈新話》的他界 A Miraculous World/Dynasty Exchange Writing: On 'the Other World' in Jian Deng Xin Hua
- 美感詮「勢」:從形塑方法論《文心雕龍˙定勢》之「勢」義 Interpreting ‘Shi’as Aesthetic Feelings: Demonstrating the Significance of ‘Shi’ from “Ding Shi” of “the Literary Mind and the Carving of Dragons” by the Methods of Creating
- 東/西之眼與女體中國:嚴歌苓《扶桑》移民圖象中的「視覺性」形塑 Eastern Eyes/Western Eyes and The woman's Body of China:Visuality of Immigration Image in Fusang
- 韓愈、白居易交往與裴度、元稹之爭考論 A Study on the Interactions between Han Yu and Bai Juyi and the Struggle for Power between Pei Du and Yuan Zhen
- 當代視域下的聊齋新義--以〈陸判〉、〈捕快張三〉中的審美及人道主義為中心 The Meaning of “Liaozhai Hsini”in New-period Literature―Focus on Aesthetic appreciation and Humanitarianism in “Lupan” and “Pukuaichangsan”
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