工藝與藝術的距離：一個社會學取徑的解讀 In-betweenness of Craft and Art: An Examination Based on a Sociological Approach
毋忘，終有一死：試析普桑《阿卡迪亞的牧人》 Memento Mori: On the Meaning of the Inscription in Nicolas Poussin's Et in Arcadia Ego
「藝術介入」的意涵與在地脈絡 On the Meaning and Context of “Artistic Intervention＂ in Taiwan
從柏格曼之《秋光奏鳴曲》聆聽當代母親的憂鬱 On the Melancholy of Mothers Today Exemplified with Ingmar Bergman's Autumn Sonata
重複美學研究：神話文本中的編織史 Repetitive Aesthetic Research: The History of Weaving in Mythological Texts
日治末期住宅庭園平面規劃之研究──以《臺灣並南方向小住宅懸賞圖面集》為分析對象 Planning of the Residential Garden During the Late Japanese Colonization of Taiwan, Based on the Album of Calling for Small Houses in Taiwan and Southern Area
無需對立，可以共生：當代博物館與藝術家的辯證關係──評《澳洲藝術家與當代博物館》 Symbiosis instead of Antagonism: Dialectic Relationship between Contemporary Museum and Artists On Australian Artists in the Contemporary Museum
亂世中的創造人：不只是書評《創造與混亂：藝術作品及資本主義宗教》 Creative Man in the Anarchic World: This Is (Not) a Book Review of Creation and Anarchy: The Work of Art and the Religion of Capitalism
