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台灣文學研究學報
Journal of Taiwan Literary Studies |
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| 201104 (12期)期所有篇 |
- 布袋戲的敘事模式及其可能性 The Narrative Problem of Puppet Theatre in Taiwan
- 重探改編自傷痕文學的反共電影──兼論八○年代兩岸文學電影的歷史交錯與攻防對應 Reinvestigation of the Anti-CommunistFilms, the Adaptations of the Scar Literature:With the Attack-Defense Confrontation and the Historical Interlock inthe 80th Cross-Strait Literature Film
- 扮裝鄉土──《扮裝畫眉》、《竹雞與阿秋》的性別展演與家／鄉想像 Cross-Dressing the Native Soil:The Gender Performance and Imagination of Homeland/Native Soil inThe Cross-Dressed Thrush and Chu-Chi and A-Chiu
- 從譯腦到殖民地經驗的再翻譯──初探跨語世代的後殖民翻譯 From Brain Translation to the Retranslationof Japanese Colonial Experience:A Pilot Study on the Postcolonial Translation of the TranslingualGeneration in Taiwan Literature
- 「摩登女郎」的展演空間：談《海燕集》（1953）中女作家現身與新女性塑造 “Modern Women” and Their Space ofPerformance:A Focus on Women Writers’ Strategies of Self-Presentation and PopularRomance in Petrel Collection
- 《家變》與《孽子》中的父子關係與對「真實」世界的追求 The Pursuit of Reality in Family Catastrophe and Crystal Boys
- 弱勢族裔的協商困境──從台灣原住民族文學獎來談「原住民性」與「文學性」的辯證 A Struggling Negotiation between Indigeneityand Literariness:on the case of Taiwan’s Indigenous Literature Prizes
- 潮士女日常拼圖VS.土行者經年腳蹤：朱天文《巫言》與舞鶴《餘生》的小說敘事比較 Patchwork Diaries of Blue Stockings vs.Countryside Traveler’s Chronicle:A Comparative Study of Tien-Wen Chu’s The Words of A Witch and WuHe’s Remains of Life
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