論明清時期對朝鮮女性漢詩的編纂動機

Motivation for compilation of the Chǒsun Female Han Poetry in Ming-Qing

朝鮮女性漢詩於明代隨著中朝文化交流密切，經由外派朝鮮的使者中介而傳入中國，在中國文壇引起文人學者們的關注，陸續出現對朝鮮女性漢詩的編選和介紹。而此中最為著名的，便是朝鮮女性詩人許蘭雪軒的詩文。當時許蘭雪軒的詩文成為中朝文人共同關注的對象，在中朝文學與文化交流中，有著重要的影響。然而除了許蘭雪軒外，其他朝鮮女性詩人被編選和關注的重點和特色為何，是值得進一步關注的重點。另值得注意的是，明代時對朝鮮女性詩歌，或說對「女性詩歌」的編選者多為男性。至明末清初時，漸有女性編選者的加入。此一編選者性別的多樣性開展，對朝鮮女性詩文是否呈現出不同的知識體系或價值觀，亦是有待探究的問題。由是本論欲在前人研究的基礎上，聚焦於明清時期對朝鮮女性詩文的編纂，從相關文本考察其編纂意圖，觀看明清時期中國對朝鮮女性詩文的認識、定位與文本流傳脈絡。

In the Ming Dynasty, with the close cultural exchanges between China and Chǒsun, Chǒsun women's Han poetry was introduced to China through the intermediary of envoys sent to Chǒsun. Chǒsun women's Han poetry has attracted attention in the Chinese literary world, so related anthologies and introductions have appeared. The most famous among them is the poetry of the Chǒsun female poet Huo Lanxuxuan. At that time, Huo Lanxuexuan's poems became the object of common attention of Chinese and Chǒsun literati, and had an important influence on the literary and cultural exchanges between China and Chǒsun. However, except for Huo Lanxuexuan, what features have been selected and focused on other Chǒsun female poets. In addition, it is worth noting that most of the compilers of Chǒsun women's poetry and even ''women's poetry'' during the Ming Dynasty were men. During The Late Ming and Early Qing, female editors gradually joined the ranks. The gender diversity of the editors is also a question of whether Chǒsun women's poetry presents different knowledge systems or values. Based on previous research, this paper focuses on the compilation of Chǒsun women's poetry in the Ming and Qing Dynasties to examine its compilation intentions, and looks at China's understanding, positioning and text circulation of Chǒsun women's poetry in the Ming and Qing Dynasties.