從金陵十二釵的形象多面性看《紅樓夢》的成書過程：以賈探春、史湘雲、妙玉、李紈為中心

Towards the composition of Hong Lou Meng from the Multi-faceted Images of Jinling Shier Chai (The Twelve Beauties of Jinling)-Centered Mainly on Jia Tanchun, Shi Xiangyun, Miaoyu and Li Wan

關於《紅樓夢》的成書過程，筆者一貫持有的觀點和當前紅學界的普遍看法有所不同。筆者在已發表的中文論文（《從王熙鳳的形象多面性看《紅樓夢》的成書過程》（西南交通大學外國語學院《華西語文學刊》第三輯）裏，通過《紅樓夢》王熙鳳的多面形象，來探討這些形象同《紅樓夢》成書過程之間的關係。而本文通過討論《紅樓夢》裏的其他女子（賈探春、史湘雲、妙玉、李紈等）之多面形象，來探討這些形象同《紅樓夢》成書過程之間的關係。通過考證，本文展現出近代小說家曹雪芹在創造一部偉大的經典時的思路變化。

As for the process of the composition of Hong Lou Meng (Dream of the Red Chamber), the author of this thesis has held an idea that is quite different from what is generally accepted by scholars of Hong Lou Meng studies. The author explored the relation between the multi-faceted image of Wang Xifeng and the composition of Hong Lou Meng in his thesis written in Chinese, Towards the composition of Hong Lou Meng from the multi-faceted image of Wang Xifeng, published in the 3rd issue of Acta Linguistica et Litteraturaria Sinica Occidentalia (ALLSO). And the author in this thesis studied the multi-faceted images of other women characters like Jia Tanchun, Shi Xiangyun, Miaoyu and Li Wan and the relation of their multi-faceted images with the composition of Hong Lou Meng. Through the present verification, this thesis shows how Cao Xueqin had changed his thinking during the creation of the splendid great masterpiece, Hong Lou Meng.