「反諷」詩學的探討──兼以陳黎的詩作為例

Exploring the Poetics of Irony: Chen-Li's Poetry as a Case Study

「反諷」不僅僅是語言修辭上的技巧，同時也是哲學與藝術等知識範疇中的重要概念。反諷的歷史源遠流長，從蘇格拉底到後現代，其指涉豐富、涵義多端，卻仍可見其一脈相續的精神內涵。因此，本文擬以「反諷」為探討對象，並進一步以台灣中生代詩人陳黎為例進行探討。本文分成兩大部分，首先是從「反諷」的歷史脈絡入手，從中析出反諷作為問題意識的可能性，繼而將焦點轉向陳黎的詩學創作，考察他如何從中演繹出嶄新的詩意，並進一步為「反諷詩學」開發一個可行的研究面向。

"Irony is not only a rhetorical device but also an important concept in many knowledge fields such as philosophy, music, politics, etc. Although irony has a long history, from ancient Greece to postmodern times, it has developed into many forms. It derives from the same structure and shares the same characteristics. Focusing on the complexity and multiple facets of irony in Taiwanese poet Chen-Li's poetry, this article explores how the poet develop his new poetics while contending with the intricate and confronting elements of irony. By doing so, this article also aim to establish the possibilities of a so-called 'poetics of irony.'"