楊牧、楊澤與羅智成詩中的現代抒情風貌

"The Modern Lyric Style in Contemporary Poetry of Yang Mu, Yang Ze and Luo Zhicheng"

洛夫、余光中、鄭愁予等前輩作家在台灣新詩史回歸期（1972～1983）創作風格丕變，對彼時的青年詩人應當頗有啟發。與那些猶在詭奇超現實中耽溺不前者不同，楊牧（1940-）、楊澤（1954-）、羅智成（1955-）三人的作品，提供與喚醒了閱讀中文抒情詩的美好經驗──儘管「瓶中稿」、「薔薇學派」、「鬼雨書院」都帶有一定密教性質及遍佈個人化語碼。詩史「回歸期」時年方二、三十歲的楊牧、楊澤與羅智成，三人詩作中既有現代的抒情性，亦富抒情的現代感。他們仨的抒情詩作在寄意託古與刺入現實間游離擺盪，聲音與節奏至為迷人。三位詩人輕易躍過現實主義路線與現代主義路線的傾軋鬥爭，一新彼時台灣現代詩的抒情風貌。

"Luo Fu, Yu Guangzhong, Zheng Chouyu are the predecessors in the history of Taiwan's new poetry history （1972 ~ 1983）, their creative style is so different that breaks tradition, inspiring the young poet at the time. Yang Mu （1940-）, Yang Ze （1954-） , Luo Zhicheng （1955-） their three works provide and wake up the reading of Chinese lyric poems with better poetic experience - Although the 'bottle of the draft', 'rose school', 'ghost rain academy' are with a certain nature of the secret and throughout the personalized code. In the period of the return of new poem, Yang Mu, Yang Ze and Luo Zhicheng, who were both in their twenty's and thirty's, had both modern lyrical and rich lyrical modernity. They are the lyrics of the travels and the piercing reality between the free swing, the sound and the rhythm is so charming. Three poets easily jumped on the realist line and the modernist line between style struggle, a new era of modern poetry in Taiwan lyrical style."