英文摘要 |
Cities have been emerging as the main living habitat for people in the modern era. They symbolize civilization and buildings and street routes wherein reflect the way of living in a manmade environment. As one walks through these spaces, all types of characters can be found from signs, signposts, temporary bulletins, posters, and even vehicles on the move. The fonts on public infrastructures reflect official aesthetics, while the civilian signs of shops and stores are related to commercial acts. Regardless of their scales, they all represent the philosophy and the corporate image of profit makers. Judged by the styles of sign naming and character fonts, the aesthetics of street signs is basically the rhetoric effect of the metaphor: It involves the whole process from the psychological expectation for the invention of a product to the abstract gestalt of the customer created by the consumption that product. The complicated representations of characters within cities suggest diversified ways of reading in addition to paper books and ebooks. Street characters are usually succinct words, phrases, or short sentences. These leaping and montaging visual contents are to be viewed while one is moving, which leads to a divergent stream of consciousness other than browsing in a seated position. Compared with calligraphy, these fonts focus more on the application of their designs, which is quite different from the one-off effect that calligraphy creates. However, the demands for strokes and details still adhere to certain strict standard. The appreciation of street characters should also be considered as a part of calligraphic pedagogy, since on the whole, these characters and the development of cities are interwined together to feature the highlights of urban aesthetics. |