中文摘要 |
臺灣的推理小說發展,一直以來都是在「西方--日本--臺灣」的跨國傳播架構下形成,並分別在日治時期、1980年代與2000年以後三個階段,透過對日本的譯寫,打造出臺灣推理小說的場域邏輯。不論是日治時期臺灣作為日本推理文壇的延伸地,有著直接的傳播與譯寫,或是1980年代,由於主導者林佛兒的純文學背景,使得推理小說疊合著純文學的場域邏輯,松本清張寫實主義導向的社會派成為書寫的典律(canon)。到了2000年以後,由於新世代推理作家對於「本格」的渴望,選擇日本作家島田莊司的書寫美學建構為典律,並在自己的作品中,透過譯寫的方式實踐,來尋求他們心目中本格推理的「復興」之道,以致於他們都成為「島田的孩子」(Shimada Children)、「21世紀の萬次郎」,在臺灣的推理文學場域,進行對島田的再生產。因此本論文的主要關懷,一方面在於探究島田的推理小說在怎樣的時間點,如何開始介入臺灣推理文學場域的重構過程,並促使臺灣創作者進行怎樣的再生產?而在臺灣沒有實質引進與介紹他的理論的狀況下,這些新世代作家又如何透過他的作品進行「本格」的在地想像與實踐,而形成島田莊司在臺系譜的生成?另一方面,本論文將透過對被島田選入「亞洲本格聯盟」的藍霄《錯置體》,以及「第一屆島田莊司推理小說獎」的得獎作寵物先生《虛擬街頭漂流記》,分析這些作品如何實踐了島田的「21世紀本格」理論,以致於最終能得到青睞。進而探討在這樣直接介入臺灣推理文學場域的過程中,島田獎對在地的創作造成怎樣的影響,以及在此系譜內部引發的矛盾、崩毀與轉向的可能。
The development of Taiwan mystey novel is always formed under the international communicating framework of 'the West-Japan-Taiwan', and the field rules of Taiwan mystey novel are created through the translation and writing of Japan in three stages respectively, including Japan occupied period, 1980s, and the period after 2000. No matter the direct communication and translation in Japan occupied period, when Taiwan was the extension place of Japan detective literary circle, or initiator Fo-erh Lin's (林佛兒) pure-literary background which combines mystey novel with the field rules of pure literature in 1980s, and it made Seichou Matsumoto's realism oriented social approach to become the writing canon. After 2000, because of new generation detective writers' desires for 'Honkaku', they chose Japanese writer Soji Shimada's writing aesthetics construction as canon, and it is put into practice through translation and writing in their own works, in order to find the way of 'renaissance' for honkaku mystey novel in their minds. Hence, they all became 'Shimada Children' and 'Manjirou in 21st century', and the reproduction of Shimada is performed in Taiwan mystey novel field. Therefore, the main concern of this paper is to investigate when and how Shimada's mystey novel started to intervene the reconstruction process of Taiwan mystey novel field, and the promoted reproduction performed by Taiwan creator. Besides, in the condition that Shimada's creative theories were not translated in Taiwan, how these new generation writers imagine and practice the 'Honkaku' through reading his works? Then, how these writers' form Shimada genealogy in Taiwan? On the other hand, this thesis analyzes how the works, including Lan-Xiao's (藍霄) Mislocation (錯置體) selected into 'Asia Honkaku League' by Shimada and the winner of '1st Soji Shimada Mystery Award'-Mr. Pet's (寵物先生) VirtuaStreet Crusoe (虛擬街頭 漂流記), put Shimada's '21st century honkaku' theory into practice, and then got noticed finally. Next, the effect of Soji Shimada Mystery Award to local creation during direct intervention in Taiwan mystey novel field, and the possible contradiction and collapse caused in the internal part of Shimada genealogy in Taiwan are investigated. |