英文摘要 |
The Wuyi mountain region of Fujian province in China has a celebrated history of tea processing, dating back over 1500 years. Ever since the Song and Yuan dynasties, partly thanks to its superior environment and tea processing technology, tea from this area has long been an imperial tribute item. In recent years, 'mountain plots' (shanchang) and 'rock flavour' (yanyun) have been highlighted among all the factors that affect the quality and price of the tea. As a result, there gradually developed an invisible spatial structure corresponding to the distribution and hierarchy of teas. This article aims to explore how the multi-sensory quality of tea, primarily its smell and taste, has been moulded over time, and, at the same time, how the spatial structure has been constructed by the complex interaction of local technique, terroir, agent, bodily perception, and market value. By analyzing these factors, the author argues that the congruent relationship between mountain plots and the hierarchy of rock teas did not previously exist. Mountain plots, once formed, were not only a spatial division of the environment; they were also the objectification of a bodily perception and a kind of embodied social structure. |