融合與對話：從尹伊桑作品《滑奏》探討東西方文化對大提琴演奏詮釋之影響與啟發 Fusion and Dialogue: On the Influence of Eastern Cultures and Western Theories in Isang Yun’s Glissées for Cello
藝術與技術的辯證：以瑟納基斯的新音樂擊樂作品《反彈》為例 The Dialectics Between Art and Technique in New Music: The Example of Rebonds by Iannis Xenakis
來自極地之音的呼喚：探索梁雷《六季》音景創作的實踐 Musical Calling from the Arctic: A Study on the Representation of Soundscape in Lei Liang’s Six Seasons
十八世紀德意志地區的直笛協奏曲 The Eighteenth-Century Recorder Concerto in Germany
依據戈貝爾1919至1920年的錄音以人工智慧輔助研究法國長笛學派的抖音演奏 An AI-Assisted Study on the Vibrato of the French Flute School Based Upon Philippe Gaubert’s 1919-1920 Recordings
