民國上海的廣東新音聲——廣東樂人與江南樂人的交流 New Cantonese Sound in Shanghai during the Minguo Era: Musical Exchanges between Cantonese Musicians and Jiangnan Musicians
蕭斯塔可維奇《為劇場樂團而作之組曲》管樂改編版 和管弦樂版配器差異處以及指揮詮釋上之比較 A Comparison on the Instrumentation and Conducting for Shostakovich’s Suite for Variety Stage Orchestra and Meij’s Arrangement for Wind Band
琉球傳統民謠的傳統與創新：以松下耕《安里屋 之歌》無伴奏混聲合唱團編曲為例 Tradition and Innovation of Ryūkyū Traditional Folk Songs: An A Cappella Arrangement of Asadoya Yunta by Ko Matsushita for Mixed Choir
