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南藝學報
Artistica TNNUA |
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| 201706 (14 期)期所有篇 |
- 聲響的政治：從殖民現代性看日治時期聲音地景 Politics of Sounds : Soundscape in the Japanese-Ruled Period from the Perspective of Colonial Modernity
- 獨白或對話：影像檔案操作策略下個人記憶與集體記憶的辯證 Monologue or Dialogue : The Debate over Personal and Collective Memories in Visual Archives
- 尋找無聲之歌、無名樂人：臺灣熱門音樂史研究方法的幾個思考 Searching for the Songs without Recording and Ordinary Musicians : A Brief Reflexion on the Taiwanese Hit Music History Writing
- 亞瑟‧丹托「藝術終結後」美術館屬性轉變的理論再思：以1993年惠特尼美術館雙年展為例 Rethinking Arthur Danto's Analysis of the Changing Nature of the Modern Museums According to His Theory of “After the End of Art” : Whitney Biennial 1993 as an Example
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