東野主人不善聽嗎？〈聲無哀樂論〉的兩種聆聽 Is Dong-Ye-Zhu-Ren not Expert at Listening? The Two Listening Modes in “the Treatise on the Sound without Sorrow and Joy”
建置「禮樂」的完型（Gestalt）結構──禮樂文明的源流、原理與實踐 Construct the Gestalt Structure of “Rites-Music”: Culture of Ritual and Music's Origin, Principle and Practicing
高階音樂存有學中的作品類型辯論是否只對哲學本身有益？ Whether the Work Type Debates in Higher-Level Musical Ontology Are Useful Just for Philosophy Itself ?
從朱熹理解的古琴聲韻論其音樂美學 On the Role of Zhu Xi's Works on Qin Tonality in the Context of his Music Aesthetics
音樂表現的意義和情感──從「分析美學」的視角所做的解析 Meanings and Emotions in Musical Expression: The Analysis from the Perspectives of “Analytic Aesthetics”
《莊子‧天運篇》「黃帝咸池論樂」哲學義蘊新探──以鍾泰《莊子發微》為核心的詮釋 A New Probe into the Philosophical Meaning of “Huang Di Xianchi's Theory of Music” in “Zhuangzi·Tianyun Pian”--An Interpretation of Zhongtai's “Zhuangzi Fawei”
高達美《真理與方法》之遊戲概念與音樂連結 The Game Concept and Music Link of Gundam's “Truth and Method”
聲音、音樂及其應用思考 Thoughts on Sound, Music and Thire Application
