The main purpose of this paper is to analyze the translations of Chinese and Japanese versions of the Russian swear words in Alexander Fadeev’s (1901-1956) novel Razgrom/The Rout (Разгром), using the original Russian text as a point of refrence.
Russian is known as a language with a large number of swear words. This is closely linked to the profound culture of swear words called "mat" (Russian мат), which is unique to Russian culture. "Mat" is a very powerful and taboo vocabulary group, from which countless derived words are created from a few basic roots (related to sex and reproduction), and it even has its own unique grammatical system.
From the late Qing dynasty to the Republic of China, numerous Chinese writers and translators introduced Russian literature to China through re-translations from Japanese. The writer Lu Xun (1881-1936) was one such person. He translated Fadeyev’s "The Rout" originally translated into Japanese by Kurahara Korehito, into Chinese, using that as a reference.
Russian swear words are overwhelmingly characterized by their direct use of sexual and anatomical elements. Chinese has a wide variety of swear words, many of which relate to insulting the other person’s family. Japanese swear words, rather than direct sexual expressions or religious taboos, mainly focus on pointing out "stupidity," "nuisance," "uncleanliness," and "differentness." It’s important to note that each type of swear words has a distinct character. This study revealed that equivalent translation between these three languages is of greater significance, not so much in terms of vocabulary, but rather in terms of meaning.
The Soviet government established the "General Directorate for Literature and Press," (Главлит, Glavlit, 1922-1991)a censorship agency that became the primary means of controlling literature. This paper will also touch upon the fact that profanity was subject to regulation by this agency and removed from works.