南管戲之確切淵源與發展，向來眾說紛紜，在探尋南管戲淵源時，主要集中於劇目與宋元南戲舊目之關係探討，並以此作為南管戲淵源於宋元戲文之依據。然而是否「同名劇目」就一定源自於「宋元戲文」？是否在劇目情節安排上，彼此就一定存在必然關係？「文化集體性」是文本改寫過程中最主要變因，為符合地域文化之差異性，文本有必要重新詮釋再創，縱使已傳承數百年之經典文本亦同。關於「蘇秦」故事，始自《戰國策》，此後相繼改編成雜劇、傳奇等形式。然而經過時空之傳遞流播，各地改編情節亦有所差異，尤其閩南語系地域，因不同文化氛圍，使得劇作產生地域性之變異。

本文將以泉州南管《蘇秦》為研究對象，針對相同劇目進行版本考述，並從各劇作之「關目情節」與「曲文賓白」兩大面向，比對歷來相關劇作彼此間之承繼與創新，嘗試建構南管戲在地方聲腔演化過程中之地位與價值，以窺見南戲流播之軌跡。

There have been various opinions regarding the precise origin and development of Nanguan Opera. Study on history of Nanguan Opera is mainly based on the relationship between list of opera and old list of Sung Yuang Nanxi and it is regarded as reference of Nanguan Opera originated from Sung Yuan hsi-en. However, is “list of opera of the same name” derived from “Sung Yuan hsi-wen”? Does the relationship exit in the plot arrangement of list of opera? “Cultural collectivism” is the principal factor of text revision. In order to comply with regional and cultural difference, the authors must develop the reinterpretation, even in the classical texts which have been diffused for hundred of years. The story of the Su Qin began with the Intrigues of the Warring States and has since been adapted into dramas, legends, and other forms. However, through the transmission of time and space, there are also differences in the plots of adaptations in various places. In particular, in the Minnan dialect region, due to different cultural atmospheres, the drama produces regional variations.

This article will use the Quanzhou Nanguan Su Qin as its research object. Careful research against a version of the same repertoire. This article research project, including “Guanmu”, “Plotline”, “Cyu Wun”, “Binbai”. A careful analysis tbetween inheritance and innovation of the relationship between each scrip. Final, establish to Construct the Position and Value of Nanguan Opera in the Evolution of Local Sound Cavity, to understand the spread of Nanguan Opera.