越南瑤族敘事歌謠的文化轉譯與變遷：以〈黃氏女古篆〉和〈黃氏女〉為例

Cultural Translation and Evolution of Yao Narrative Ballads in Vietnam: A Case Study of“Truyện Hoàng Hoài Nữ”and“Truyện Hoàng ThịNữ”

瑤族遷徙至越南後，保留並發展了自身的文學傳統，其中包含大量以漢字或土俗字記錄的敘事歌謠。本研究以《瑤人古書》（Sách CổNgười Dao）中的〈黃氏女古篆〉（Truyện Hoàng Hoài Nữ）與〈黃氏女〉（Truyện Hoàng ThịNữ）為例，探討這些敘事歌謠在跨文化傳播中如何受到越南瑤族宗教信仰及社會結構的影響，並由此展現出異於中國漢族文本的獨特樣貌。透過文本比對和文化分析，可以發現越南瑤族對黃氏女故事的改編，反映了其文化適應與族群認同建構的歷程，並在性別角色、宗教信仰及倫理觀念上呈現出和漢族版本的顯著差異。這些差異進一步顯示，文化轉譯不僅僅是文本內容的變化，更是維繫族群認同的重要策略。

After migrating to Vietnam, the Yao people preserved and further developed their literary traditions, which include a vast collection of narrative ballads recorded in Chinese characters or indigenous scripts. This study examines“Truyện Hoàng Hoài Nữ”and“Truyện Hoàng ThịNữ”from Sách CổNgười Dao to explore how narrative ballads have been influenced by the religious beliefs and social structures of the Vietnamese Yao in the process of cross-cultural transmission. Through textual comparison and cultural analysis, this research found that the adaptation of the story about Hoàng ThịNữ(Lady Wang / Huang) by the Vietnamese Yao reflects the community’s process of cultural adaptation and identity construction. Significant differences in gender roles, religion, and ethical values distinguish the Vietnamese Yao versions from their Han Chinese counterparts. These variations illustrate that cultural translation is not merely a transformation of textual content, but also serves as a crucial strategy for maintaining ethnic identity.