| 英文摘要 |
We know the female characters in novels are often formed according to women in the real world. However, what is presented is usually not the actual shape but the one mingled with the writer’s subjective consciousness and cognition. Through the female images in novels, we can perceive the writer’s cognition and understanding toward women. The female characters in the women writer’s novels also reveal the women writer’s cognition and understanding toward women. In addition to observing the women writer’s outlook on women, we can also observe the women writer’s cognition and consciousness toward her own gender and identity. The late Qing Dynasty is the initial stage of feminist movement. Owing to the practice of abolishing foot-binding and establishing schools for women, Chinese women have the good chance to get rid of heavy traditional bondage and receive formal education. Also the chance to step out of the boudoir, take part in public affairs and expand their true selves. Women’s outgoing and travelling become a social hot topic and the range of their movement freedom gets wider and wider. Through the novels of the four women writers: Gu Taiqing, Wang Miaoru, Shao Zhenhua and Huang Cuining, this article tries to observe what is revealed about the situation of women’s movement freedom and investigate women writer’s cognition and advocacy toward female movement so as to know women writer’s self movement consciousness before and after the flourishing period of feminism and inspect the changes of cognition resulting from feminist movement. If possible, whether there is a clear drop between the women writer’s cognition and her actual action will be further examined. |