狂姿逸態的深化論述——中晚明文藝場域中的「傲岸公卿」論

The Deepening Discourses of Bohemian's Gestures in the Literature Field of the Middle and Late Ming Dynasty

本文嘗試在諸多說話者載錄的狂士記憶中，找出相應于狂士「傲岸公卿」特質所開展出來的深化論述。這些論述呈現出表演／觀看／說話的多重關係，並且具有意識地透過區辨涇渭、深意詮釋、彰顯境界等三種話語策略，對於狂士行徑施以文化加工，使之成為富有文化意義的歷史。這個觀察將有助于論者在面對其他狂士論述時，有效地掌握說話者之意圖，從而掌握整個時代氛圍的觀看基調。

This present essay tries to map out the deepening discourses of Bohemian's cultural gestures and represents the relationships among three dimensions, namely ''actor'', ''gazer'' and'' speaker''. From this perspective, the essay constructs what kind of discourse strategy those speakers made use of and analysises how they made Bohemian's histories becoming cultural artifact. This important concepts Include exploring how they emploied the method of distinction to create their lifestyle and how they used historicity and cultural reference frame to interpret those events as meaningful histories. This conclusion will help us to capture the meaning of those speakers, moreover, to understand the main style in the period of Middle and Late Ming Dynasty.