| 英文摘要 |
This article investigates Chen Shen’s Du Chunqiu Bianand its unique discourse on“Ba,”focusing on the interpretive principles and methods that shape his thought. Although grounded in the scholarly tradition of Song Confucians, Chen’s scholarship, developed in isolation during the Song-Yuan transition, diverges from the mainstream intellectual currents of the Yuan period. He offers innovative views on“Ba,”emphasizing moral responsibility, Heaven-sent omens as political warnings, and the possibility of succession and transfer of hegemonic power. Central to his approach is a three-step process: drawing on historical events from Zuo Zhuan, adopting interpretive examples from Cheng Yi, Hu Anguo, and Chang Chia, and subtly revising them to articulate his own arguments. This combined method—“applying events and using precedents,”and“appropriating examples and developing meanings”—reveals a commitment to direct classical interpretation in the spirit of Song Confucians, distinguishing Chen’s work from the mainstream interpretations of his time. By analyzing both his theory of“Ba”and its methodological underpinnings, this study highlights Chen Shen’s original contributions and offers new perspectives on the diversity of Chunqiu scholarship in the Song-Yuan period. |