| 英文摘要 |
Huang Chunming completed“Mao Mao Has a Word”in May 1990. Inspired by Japanese pediatrician Michio Matsuda, Huang Chunming's novel gives voice to the historically voiceless baby, offering“a profound and objective critique of the adult world”and responding to social phenomena of the 1990s. Building on previous researchers' educational viewpoints that Huang Chunming uses Mao to criticize adults, this paper aims to argue, through an analysis of the literary symbolism of“having words”and the function of voice in fiction, that Huang Chunming's Mao demonstrates the possibility of multiple voices through infants' heightened sensitivity to sound and bodily sensation, as a way of counteracting the adult world full of noise. Huang Chunming engages in dialogue with contemporary childcare guidebooks by questioning the viewpoints of“some people say”and“doctors say”with the“Mao's words”of“focusing on the baby's physical sensations”. In contrast to the limited nature of parenting guides, Huang Chunming integrates psychological and somatic perspectives to provide an insightful look into the inner worlds of babies and the elderly, as well as the true feelings of different generations of family members. In addition, Maomao is able to recall her mother's traumatic memories, understand the problems in her parents' relationship, and find reasonable answers to her mother's anxiety and anger. Therefore, Mao Mao Has a Word not only articulates a critical perspective on adult-centered child-rearing practices but also presents Huang Chunming as a compassionate and understanding educator. Finally, this paper also takes into account Huang's essays written after 2000, especially those reflecting on the impact of materialism and consumerism on children's upbringing, in order to demonstrate that Huang's view of child-rearing is based on the overall perspective of the family, the environment, and society, and that he is concerned with the physical and mental development of all human beings. |