| 英文摘要 |
This study examines“A Study of Dream of the Red Chamber”by Li Chendong, a scholar who moved to Taiwan after 1949, focusing on his adoption and transformation of the concepts of“nation”,“realism”, and“class”. It also analyzes his self-regulation of academic outcomes under the influence of state power. The findings reveal that Li Chendong inherited the May Fourth Movement’s scholarly mission of national salvation, enlightenment, and revolution. He adopted Hu Shi's autobiographical interpretation of Dream of the Red Chamber as a research paradigm and regarded Hu as his academic idol. Li's doctoral dissertation in French,“A Study of Dream of the Red Chamber”, was grounded in Hu’s perspectives and textual analysis, emphasizing the novel’s status as a cultural classic and its role in reconstructing modern Chinese culture. Although Hu Shi himself did not endorse Li’s interpretations, Zhang Daofan, director of the Nationalist Party’s Cultural Movement Committee, appreciated the work and recommended its publication by Zhengzhong Publishing House. This led to Li receiving an academic award from the Ministry of Education. Furthermore, Li sought to reconstruct the critical framework of literary realism, drawing on the French Taine School’s principles of“race, milieu, and moment”and using Taine's On Balzac as a model. From a sociological perspective, he developed a critical analysis of Dream of the Red Chamber, with his“wave-like structure'' interpretation gaining particular acclaim. Li also pioneered the class-based analysis of the novel, examining its economic and social structures through the lens of societal background and material conditions. However, while state and party power propelled his research, it also drove his revisions to align with external pressures. |