清人「論詞絕句」論姜夔詞探析

An Analysis of the Qing Dynasty’s“Juejustyle Critiques of Ci”on Jiang Kui’s Ci

本文以《清代論詞絕句初編》、《論詞絕句二千首》所收為主，檢索其中論及姜夔且有代表性者，凡九首。擬就此九首詩，依其所論內容，系統歸納，並援引相關詞話、詞集序跋、筆記、詩話等資料，會通分析，期於姜夔詞之批評，有更深入之了解；並探討清人論詞絕句之特色及研究價值。本文將分四部分論述，第一部分為－－白石詠物，享譽詞壇；第二部分為－－風流韻事，小紅低唱；第三部分為－－白石雅音，玉田傳承；第四部分為－－清雅詞筆，啟發後進。

This essay analyses nine poems of critique－taken mainly from the Qing Dynasty’s Jueju-style Critiques of Ci: Volume One (Qingdai Lunci Jueju Chubian) and the Two Thousand Jueju-style Critiques of Ci (Lunci Jueju Erqian Shou)－of the works of Jiang Kui, cross-referring to related Ci Hua (i.e. notes and comments on ci poetry; novel with parts in verse common in the Ming Dynasty), Shi Hua (i.e. notes on poets and poetry), prefaces and afterwords of some ci anthologies, and other notes, in the hope of establishing a thorough knowledge of the critique of Jiang Kui’s ci, and discussing features and the gist of the jueju-style critiques of ci. The first part of this essay discusses Jiang’s supereminent reputation in ci-writing on things; the second is about the romance between Jiang and his lover; the third deals with Jiang’s writing style successor Zhang Yan; and his literary legacy and influence serve as the final part.