巴什拉韻律哲學之認識論切面考察

Gaston Bachelard’s Philosophy of Rhythm: An Epistemological Profile Investigation

巴什拉（Gaston Bachelard）的韻律觀點及韻律分析是當代韻律思想的一個源頭。本文透過韻律概念史的系譜，考察巴什拉的韻律觀，並進一步透過其「認識論切面」的方法，抽繹與詮釋巴什拉散見在時間哲學、科學哲學、遐想詩學相關著作中的韻律觀念。本文梳理巴什拉的韻律觀如何與柏格森式的時間連續性的樸素經驗斷裂，轉向韻律的各種實證科學，探討韻律如何轉換為波動力學的現代物理與代數，以及建構出一種以關係性的物質想像為基礎、具論辯式動態流動特質的韻律詩學。本文從經驗、實證科學、機制、關係性，與論辯式的直覺與邏輯五個不同面向，提供了對巴什拉韻律哲學的分類、理解及分析。

This paper takes rhyme and rhythmanalysis as its themes, and explores the metaphor of the concepts of music, science and dynamics in Gaston Bachelard’s rhythmic philosophy. Drawing from the rhythmology and wave mechanics of modern physics, it engages with Bachelard’s anti-Bergsonian concept of continuous time, which includes three aspects: the instantaneous, the dialectics of continuity, and a musical, anti-essential dynamics and flowing material imagination. The paper aims to organize, classify, and analyze the theme of rhythm in Bachelard’s philosophy.