台灣當代「詩人編輯家」向陽研究：以文藝編輯為核心

Study of Taiwan's Contemporary ''Poet-Editor'' Xiang Yang：Focusing on Literary Editing

向陽在文藝編輯上的付出與貢獻，罕見被人提及跟討論。其實他自少在文學創作之外，極早便展開了對於編輯志業的探索。報刊編輯既是向陽的專業，更是他青壯年時期的職業。長期從事編務的他，僅1982年就擔任《陽光小集》詩雜誌社發行人，與應邀成為爾雅版《年度詩選》編輯委員，還同時是《自立晚報》藝文組主任兼副刊主編。向陽日後又參與了各縣市政府青少年文學讀本、臺文館作家研究資料彙編等官方出版品的編務，並持續替民間出版社主編各式文學圖書及選集。本文將他的文藝編輯歷程劃分為四個階段（萌芽期、報刊期、深造期、教育期），並主張向陽是以「詩人編輯家」身分，適時介入、推動與改變了台灣當代文學的發展。本研究並佐以訪談方式，盼為文藝編輯的行止與事蹟留下珍貴的影音記錄。

Xiang Yang's dedication and contribution to literary editing are rarely mentioned and discussed. In fact, in addition to literary creation, he began to explore his editorial career very early. Editing newspapers and magazines was not only Xiang Yang's profession but also his career during his youth and prime years. In 1982, he was the publisher of Sunshine Collection poetry magazine, an editorial board member of the annual poetry selection of the Er-ya edition (Elite Books), and the arts and literature section chief and supplement editor of The Independence Evening Post. Xiang Yang also participated in editing official publications for various county and city governments' youth literature textbooks, and the compilation of writer research materials by the Taiwan Literature Museum. This article divides his literary editing journey into four stages (nascent period, newspaper and magazine period, advanced study period, and educational period), and asserts that Xiang Yang, in his capacity as a ''poet-editor,'' timely intervened, promoted, and changed the development of contemporary Taiwanese literature. This research also uses interviews, hoping to leave precious audio and video records of the literary editor’s deeds.