論連橫〈臺灣詩社記〉抄稿的發現及其詩學觀點

Discussion on the Discovery of the Manuscript of Lien Heng’s“Records of Taiwan Poetry Society”and his Po e tic Perspective

臺灣文學的發展脈絡，經過黃得時、葉石濤等前輩的建構，已經具備了立體的架構，然而，其內容的細節，卻仍然持續地滾動式修正中。尤其，自鄭氏、清領到日治時期，臺灣古典文學有許多目前尚未得見的史料文獻，但隨著近幾年各機關逐漸重視史料的典藏與數位化，加上許多民間收藏家的史料也逐步公開，臺灣古典文學的細部結構也才得以陸續被發現與證實。本文從新發現的連橫〈臺灣詩社記〉手稿抄本著手，通過比較抄本與發表於《臺灣詩薈》第二號的刊本之差異，取得日治時期臺灣古典詩社的細節狀況，即：詩社成員不乏日籍詩人、詩社社員名單、當時規模較小的詩社狀況，並分析連橫「不忍以詩鳴」詩學觀點，他認為詩歌應具備興觀群怨的功能，並主張詩歌應反映臺灣本色。本文透過新資料的分析，得以充實日治時期古典文學史料不完整的困境，解答因史料不足而產生的疑問。

After the dedication of predecessors such as Huang Te-shih and Yeh Shih-tao, a three-dimensional structure was completed for the development context of Taiwanese literature. However, the details of its content were still being modified on a rolling basis. In particular, from the time of Zheng Chenggong, the rule of Qing Dynasty to the Japanese colonial period, there are many historical documents in Taiwanese classical literature that have not been discovered. However, in recent years, as various authorities have gradually attached importance to the archival and digitization of historical materials and many historical materials from private collectors have gradually been disclosed, the detailed structure of Taiwanese classical literature has been gradually discovered and verified. Starting from the newly discovered manuscript of Lien Heng's“Records of Taiwan Poetry Society,”this study collected the details of Taiwanese classical poetry society during the Japanese colonial period by comparing the differences between the manuscript and the second edition of the“Taiwan Poetry Collection.”The findings include the fact that there were many Japanese poets among the members of the poetry society, the list of members of the poetry society, and the situation of the poetry society, which was relatively small at that time. Moreover, this study analyzed Lien Heng's poetic perspective of“expressing the ideas through poetry when experiencing something intolerable.”He believes that poetry should have the function of cultivating people’s association, observation, gregariousness and resentment）and advocates that poetry should reflect the true nature of Taiwan. Based on the analysis of new data, this study enriches the dilemma of incomplete historical data on classical literature during the Japanese colonial period and answers questions arising from insufficient historical data.