多麗絲‧萊辛《金色筆記》中的收藏能力

回顧黑色筆記收藏家安娜與三非洲（信件、評論與剪報）收藏品互動，伴隨班雅明的翻譯能力所延伸的收藏能力，其不由自主記憶深受論者關注。本文回顧收藏品前身實用價值與變身魔力，分析其中科學技術與資本主義背景。重探班雅明筆記收藏的禮物經濟與書信來往，細究《金色筆記》安娜收藏一系列四色筆記本與整合暗金色筆記本的複雜機制。相較於原版小說《戰爭前沿》非裔當地廚師的妻子在黑色筆記收藏的評論改記為廚師的女兒，這不一致的強烈環節觸發安娜不由自主的記憶，控訴殖民地的種族階級差異。黑色筆記中最末的剪報收藏突破原二元分類（錢、來源）侷限，像百科全書一般考察原來不完整的視角。本文討論收藏品觸發記憶，逐漸生成收藏品獨特主體性。

The author explores the dynamics between Anna, a collector characterized in the black notebook, and her collection of African artifacts—letters, critiques, and newspaper clippings. Drawing on Walter Benjamin’s concept of collectability, the author highlights the involuntary memories triggered by Anna’s tactile engagement with these items. The author explores how ordinary objects, initially tied to scientific technologies and capitalism, transform into“magical”items through Anna’s collection process. The analysis also considers Benjamin’s epistolary interactions and gift economy, focusing on his handmade notebooks. This perspective illuminates the intricate mechanisms behind Anna’s assembly of four-colored notebooks and an“integrated”golden notebook in Doris Lessing’s The Golden Notebook. Comparative studies of the African cook’s wife in Frontiers of War and the cook’s“daughter”in the work’s critiques reveal how inconsistencies in these portrayals evoke Anna’s involuntary memories. These discrepancies expose Anna’s observations of the impact on African residents’lives and her critique of colonial authorities’racial class distinctions undermining African workers’labor rights. The final organization of items in the black notebook transcends the initial dichotomy of money and resources, offering a nuanced understanding of the colonized space. The paper examines how Anna’s reorganization of the collection triggers her involuntary memory and how these items, including newspaper clippings, function as an encyclopedia. Ultimately, the collected objects in the black notebook, as written in The Golden Notebook, develop unique subjectivities.