英文摘要 |
The Hengshan Calligraphy Art Museum (referred to as the Calligraphy Museum), located in the Dayuan District of Taoyuan City, Taiwan, stands as Taiwan’s inaugural government-operated museum dedicated to the art of calligraphy. Since its inauguration in October 2021, the museum has continually focused on exhibitions, education, cultural promotion, and innovative developments in calligraphy research. This study delves into the exhibition titled“A Dimension to be Found - Hakka Narratives in Calligraphy,”held from August 11 to October 30, 2023, in alignment with the theme of the Taoyuan World Hakka Expo,“Travel to Tomorrow.” Originating from the densely Hakka-populated regions of Taoyuan and Hsinchu in Taiwan, the exhibition showcases calligraphy works spanning from the early 20th century to contemporary times (1917-2023). Curated by 41 calligraphers, the exhibition presents 47 sets of works, offering profound insights into Hakka life and wisdom. This paper employs a literature analysis approach, deeply examining 12 selected works from the exhibition through the lenses of“National Discourse,”“Citizen Discourse,”and“Market Discourse.”The research reveals a strong connection between these artworks and the United Nations Sustainable Development Goals (SDGs), particularly in the domains of cultural preservation and promotion, cultural identity, community engagement, and sustainable development. In conclusion, six recommendations are proposed:“Establish Long-term Support Policies,”“Promote Cultural Education Programs,”“Expand Community Participation and Interaction,”“Initiate Youth Education Initiatives,”“Develop Diverse Economic Models,”and“Highlight Hakka Cultural Branding.”These suggestions aim to propel cultural institutions like the Calligraphy Museum towards greater progress in sustainable development. |