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篇名
敦煌隋唐時期的維摩詰經變作品試析及其所反映的文化意義
並列篇名
An Analysis of Sui-Tang Vimalakirti Transformation Tableaux from Dunhuang and their Cultural Significance
作者 潘亮文
英文摘要
The earliest work of art based on the Vimalakirti Sutra in Chinese Buddhist cave-temples is located on the northern wall of Cave 169 of the Bingling Cavetemple, dated to the Western Qin period (420 CE). In the Mogao Cavetemples, which like the Bingling Cave-temple are located in the Gansu region, the earliest work of art featuring Vimalakirti is dated to the Sui dynasty, and this subject continued to be depicted until the Western Xia. The long continuity and the abundance of this subject in Dunhuang enable us to observe its historical context and cultural significance. This article focuses on the transformation tableaux of the Vimalakirti Sutra from the Sui-Tang period in Dunhuang, with an examination of related Dunhuang manuscripts, and offers a comprehensive reconsideration of their formal characteristics and cultural significance.
起訖頁 535-583
關鍵詞 敦煌維摩詰經變DunhuangVimalakirti Sutra transformation tableau
刊名 佛光學報  
期數 201507 (1:2期)
出版單位 佛光大學佛教研究中心
該期刊-上一篇 《維摩經》藏譯本周邊文獻考察
 

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