英文摘要 |
This paper aims to interpret and reflect on the Novels of Yang Kui during the Japanese colonial period using Reflection Theory and Post-Structural Marxism. The study focuses on two major writing periods: 1934-1937 and 1942-1945. The research hypothesis, as set by the method of '' symptomatic reading '' revolves around the ''seeds of communist belief'' and the '' life challenges in literary creation.'' The biography used for this study is Yang Tsui's Never Give Up: Yang Kui's Resistance, Labor, and Writing. After establishing Yang Kui's class-consciousness throughout his life, this paper generalizes the worldview and recurring archetypal characters in his novels during these periods, along with the corresponding cultural and historical backgrounds. This paper seeks to analyze the structural writing patterns employed by Yang Kui and identify the author's Unconscious presence concealed within the text. Ultimately, based on the definitions of ''good literary works'' derived from these two Marxist theories, it aims to fully manifest the literary and societal transformative potential that Yang Kui aspired to. |