黑色幽默應用於陶瓷創作之認知探討「吃兵系列」個案研究

The Cognitive Exploration of Black Humor Applied in Ceramic Art Creation—A Case Study on the“Eating Soldier Series”of Ceramic Creation Exhibition

黑色幽默作為一種將負面轉換為幽默，透過藝術的表現形式，以誇張、反諷手法揭示社會和人生荒誕乖謬的本質，是後現代藝術中一種不可忽視的藝術思維。陶瓷藝術的發展從傳統工藝逐漸走向當代藝術，藝術家從生活中的觀察轉化為抽象的思想，透過黑色幽默的反思性，減少心理對真實現象的創傷性感知，對痛苦的事件或經歷產生移置。本研究以陶瓷藝術《吃兵》系列的九件作品為研究樣本，透過問卷調查與分析，探討觀眾對陶瓷藝術黑色幽默的認知差異與整體評價，結果顯示：受測者不分性別、年齡與教育程度，能清楚分辨陶瓷藝術作品本身黑色幽默的內容；從受測者專業背景角度來看，藝術背景的受試者對陶瓷藝術黑色幽默認知明顯高於其他專業背景的受試者。創作主題連結社會重大事件以及作品命題運用諧音，能有助於觀眾對黑色幽默的理解。

Black humor is a form of art that transforms negativity into humor through artistic expression. It reveals the absurd and paradoxical nature of society and life through exaggeration and irony, and is an important aspect of postmodern art. The development of ceramic art has gradually moved from traditional craftsmanship to contemporary art, with artists transforming observations from life into abstract ideas. Through the reflective nature of black humor, psychological trauma from real-life experiences can be reduced, and the displacement of painful events or experiences can be achieved.
This study uses the nine pieces from the“Eating Soldiers”series of ceramic art as the research sample, and through questionnaire surveys and analysis, explores the audience's cognitive differences and overall evaluations of black humor in ceramic art. The results show that regardless of gender, age, and education level, the participants were able to clearly distinguish the content of black humor in the ceramic art pieces. From the perspective of professional background, participants with an art background had a significantly higher understanding of black humor in ceramic art than those from other professional backgrounds. Linking creative themes to major social events and using homophones in the titles of works can help audiences understand black humor better.