《臺灣日日新報》中大稻埕北管子弟軒社的聲音景觀

Analysis of Soundscape of Dadaocheng Pei-Kuan Voluntary Associations Based on Taiwan Nichinichi Shinpo Digital Archive

本研究透過分析《臺灣日日新報》文獻，將日治時期大稻埕北管子弟軒社的聲音景觀（soundscape），呈現在人文地理、自然地理、宗教地理交錯的特殊閾境（liminality）中。研究分為3個段落，第一部分搜尋報紙中刊載的北管子弟軒社，透過各類型關鍵字交叉搜索，找尋曾經存在於日治時期的大稻埕北管子弟軒社，以及它們與地方信仰中心的關係。第二部分透過前項搜尋結果，將報導內容依活動類型分類，挑選北管子弟以宗教活動為主的傳統演出形式，並統計出報導比例為60%，藉此描繪傳統戲窟的都市聲音景觀。第三部分則挑選出新文化、科技影響下的新興演出型態，例如灌錄北管唱片、參與日本皇族來臺的踩街遊行等，統計報導比例為37％，呈現聲音景觀的改變與時代風格。

By analyzing historical data in the Taiwan Nichinichi Shinpo digital archive, this study explored the soundscape of Pei-Kuan voluntary associations in Taiwan’s Dadaocheng neighborhood over time in terms of their human geography, natural geography, and religious geography. This study was con-ducted in three stages. In the first stage, I used keywords to search newspaper archives for articles on the relationship between Pei-Kuan associations and local religious groups. The results were grouped into those related to traditional religious activity (60%) and those related to new media (37%). In the third stage, I explored the soundscapes of traditional performances and mod¬ern performances in the city featuring the incorporation of new media and advanced technology, such as Pei-Kuan records and performances for the Jap¬anese Imperial Family during visits to Taiwan. This study presents the unique soundscapes of Pei-Kuan music in Dadaocheng.