轉型正義理念的展示規劃──以臺灣客家文化館常設展為例

An Exhibition Design of Transitional Justice-The Case of Permanent Exhibitions at the Taiwan Hakka Museum

展示是博物館與觀眾接觸最直接的地方，透過博物館的展示可以窺見一個群體的文化內涵，表達博物館的意識形態。臺灣客家文化館以「客家」此一特定族群的延續與發展作為敘事主軸，反映了臺灣文化建設與社會發展的重要指標之外，在多元化臺灣社會體系之中，具有文化政治角力的性質，對於族群博物館而言，透過展示來突顯不同的文化內涵與其潛在的支配關係已成為重要議題。本文將透過臺灣客家文化館2012年的第一檔常設展「臺灣客家四百年」以及2019年全面更新的「承蒙客家」常設展兩個常設展，討論並分析作為族群博物館的臺灣客家文化館，如何透過展示內涵來回應當代社會思潮以及呈現轉型正義理念，以更能符合當代博物館精神與進程。

An exhibition serves as a channel for the most direct interaction between a museum and its viewers. Museum exhibitions provide a glimpse into a group's culture and express a given museum's ideology. The Taiwan Hakka Museum takes the continuation and development of a particular ethnic group, the Hakka, as the axis of its narrative. In addition to reflecting important indicators for Taiwan's cultural construction and social development, the Museum is characterized by the nature of cultural and political infighting in Taiwan's pluralistic social system. Highlighting various obscure, little-known cultures and dominant relationships through exhibitions is truly a more critical issue for ethnic museums. This study examines two permanent exhibitions curated by the Taiwan Hakka Museum, namely, 400 Years of Taiwan Hakka, the Museum's first permanent exhibition organized in 2012, and Thank You Hakka, a completely revamped permanent exhibition staged in 2019. Based on their displayed contents, this study discusses and analyzes how the Taiwan Hakka Museum, as an ethnic museum, responds to contemporary social trends and presents the concept of transitional justice to be more in line with the spirit of modern museums and the process of Hakka research.