李漁叔《三臺詩傳》中臺灣「遺民」詩史的形塑

Formation of Taiwanese the loyalist's poetry history: Centralized on Yu-Shu Li's 《三臺詩傳》

李漁叔所撰寫之《三臺詩傳》，試圖在趨近個人讀詩心得的「詩話」與肩負一國采風之責的「詩乘」間取得平衡。他援引王昶《湖海詩傳》的概念，將自身的創作從原本的「三臺詩話」改稱「三臺詩傳」，其意乃是從己身所知出發，選取詩人詩作能與己心共鳴者。雖然如此，但背後仍有呈現出一國歷史發展之欲求。而李漁叔在戰後來臺，跟臺灣詩人交遊密切，希望為經歷乙未割臺劇變的臺灣詩人立傳，闡揚其漢族遺民之意識。然而，進一步追索李漁叔所論述的臺灣詩人事蹟，卻帶有班納迪克‧安德森（Benedict Anderson）在其《想像的共同體：民族主義的起源與散布》一書中所說的「官方民族主義」之意味。1949年渡海來臺的中華民國政府試圖將自身政權的殘缺與日治時期臺灣遺民意識相結合，企圖產生二者歷史發展相近的認同。這對於試圖恢復過去政權全域的李漁叔來說，《三臺詩傳》的撰寫不只為日治時期的臺灣遺民立傳，更是他渡海來臺後自我遺民心態的投射。

"Yu-Shu Li attempted to maintain the equilibrium of personal poetry review（詩話） and shih sheng（詩乘) which symbolized the collection of folk cultures. He cited the concept of Wang Chang's 《湖海詩傳》and altered the book title from《三臺詩話》 to 《三臺詩傳》in order to specifically indicated that this work oriented the starting point of his own acknowledgements. However, one can see the desires of developing a national history. Yu-Shu Li came to Taiwan post-war and socialized closely with Taiwanese poets which showed his determinations of expounding the Han loyalists' consciousness to those who had been through the Cession of Taiwan. Even so, if one studied further toward the history of Taiwanese poets discussed by Yu-Shu Li, the idea of 'Official Nationalism' which was brought out by Benedict Anderson in Imagined Communities: Reflections on the Origin and Spread of Nationalism would then be revealed. Taiwanese government intended to combine its incomplete political power with Taiwanese loyalist's consciousness during Japanese colonial period, and a similar identification would then be presented. From all the above, 《三臺詩傳》wasn't simply a biography of Taiwanese loyalists, who had been colonized by Japan, but a Yu-Shu Li's self-reflection of being a loyalist himself."