聆聽「她」的聲音：論洪素珍〈世間女子（高雄篇）〉作品中的女性主體性

Listen to ＂Her＂ Voice: on the Female Subjectivity in Su-Chen Hung's ＂She+s＂

本文探討的焦點是旅美觀念藝術家洪素珍於2015年為高雄市立美術館展出的個展所量身創作的〈世間女子（高雄篇）〉。她邀請了20多位各行各業、成長背景與職業殊異的高雄女性，講述她們的人生故事，最後以聲音及物件裝置完成這件現地創作作品。本文以女性主義的概念來研究洪素珍的〈世間女子（高雄篇）〉，尋找作品中父權社會下女性的性別與認同記號的差異，特別是一些不斷重覆的差異，並且從這些差異與改變來詮釋藝術家所建構的女性主體。女性主體性作為現代性實踐的一種，在〈世間女子（高雄篇）〉中呈現出更為貼近生活、實事求是，並以情感的熱烈、明朗與堅強的形象流變，展現女性在現今社會中彈性與穩重的氣象，自覺或自然的一種實踐與選擇，非傳統意義上的「逆來順受」，也不以與男性相對立來彰顯其解放。如同藝術家創作自述所言：「女性是這麼的強韌！這麼的樂觀正面！女性是這麼的　暖！這麼的願意付出！這是人世間的一篇篇寫照。」

The focus of this article is the ＂She+s＂ created by conceptual artist Su-Chen Hung for the solo exhibition at the Kaohsiung Museum of Fine Arts in 2015. She invited more than 20 Kaohsiung women from all walks of life, growth backgrounds, and careers to tell their life stories, and finally completed this site-specific installation with sound and commonplace objects. This article uses the concept of feminism to study Su-Chen Hung's ＂She+s＂, looking for the differences in the gender and identity of women in the patriarchal society, especially the repeated differences, and from these differences and changes to interpret the female subject constructed by the artist. As a kind of modernity practice, female subjectivity is presented in ＂She+s＂ which is closer to life, seeks truth from facts, and expresses the flexibility of women in today's society with the emotional enthusiasm, clarity, and strength of the image. Contrary to the steady atmosphere, conscious or natural practice and choice, the non-traditional ＂adversity and acceptance＂ does not show its liberation by opposing men. As the artist's statement of this creation said: ＂Women are so strong! So optimistic and positive! Women are so warm! So willing to give! This is a portrayal in the world.＂