英文摘要 |
Today's society has entered the era of globalization. With the development of technology and information, people can use the Internet to send messages immediately. With the development of ink and wash painting in the contemporary era, along with the development of technology and video, the application of forms and content has become broader, surpassing the traditional pen and ink norms, and permeating various art forms and contemporary living spaces with various forms and expressions ,and show the new context of ink and wash painting with cross-media, multiple juxtaposition, and deconstruction. The construction of contemporary subjectivity of ink and wash painting in Taiwan can only be reformed and innovated from the old form and endowed with contemporary new concepts to conform to the current living environment and timeliness and create a new pattern. The development of ink and wash painting art is presented in the form of installations that span from a plane to a three-dimensional space, expand the depth of thinking, promote the macroscopic vision and oriental connotation of art, and try to explore the ambiguity with the concept of Taiwanese and contemporary Western philosophy. The future of ink and painting art should be full of challenges and innovations. This article specifically focuses on the characteristics of contemporary ink and wash panting polysemy (1) field, cross-domain, heterogeneous coexistence (2) deconstruction, multiple juxtaposition (3) material regeneration and transformation (4) image meaning, code and future development as the research direction. It is hoped that contemporary ink and wash painting will be able to show a diversified look, constantly leapfrogging and changing, and presents a new atmosphere. |