英文摘要 |
Hong Kong's national identity and its tension with mainland China have been one of the most contentious issues since the 1997 handover. This article investigates the emotional structures of feeling manifested in the recent two films Ten Years (2015) and Wolf Warriors 2 (2017). In particular, we are interested in the emotional positions articulated by the films, and how the division of these positions entails different forms of imaginations about Others. In doing so, this article considers the reason why the tension between Hong Kong and mainland China remains unresolved. Moreover, it considers the predicament and limitation faced by the imaginations of the two films, as well as the possibilities for the future. |