英文摘要 |
Jin Ping Mei's revelry-based erotic writing makes it widely acknowledged as an ''erotic novel.'' However, the continuous dearth of novel characters and rise and fall of families also make it accepted as a ''sad novel.'' It is a novel between ''erotic novel'' ''sad novel.'' The frequent festive writing in Jin Ping Mei offers a good research perspective. This study investigated how Jin Ping Mei uses festive image as the narrative background of the novel based on Tomb-Sweeping Day and Lantern Festival. Jin Ping Mei uses the features of revelry and disorder in the time sand space of Lantern Festival as the narrative structure of its erotic writing. In the living world reflected by the festive image of the Lantern Festival, flamboyance and illusion coexist, implying the personality of novel characters and fate of families. Moreover, Jin Ping Mei uses the festive customs of spring trip and tomb-sweeping to guide the entire novel from revelry to sense of sadness. The joy of life and sorrow of death are intertwined with each other, unveiling the life and death perspectives of Jin Ping Mei - impermanence of life and illusion of life and death. Those who indulge in revelry certainly have to bear the consequences and face the sadness following the fall of prosperity. Is it an ''erotic novel'' or ''sad novel?'' In the novel world implied by the festive writing centering on Lantern Festival and Tomb-Sweeping Day, perhaps it meets the definition of both. However, Jin Ping Mei ends with the sorrow atmosphere on the Tomb-Sweeping Day. The theme that the author eventually intended to convey might be a ''sad novel'' after the characters indulge in erotic world. |