歷史的圖像與記憶：論鄭思肖詩文中的家國論述

Historical images and memories: On family and country discourse in Zheng Sixiao's poetry

鄭思肖為南宋遺民，所處時代為蒙古和南宋進入軍事對抗的易代之際，其文學著作中充滿著變亂時的悲憤之音與家國之思，本文主要將鄭思肖遺民論述置放在鼎革時期，論述該特定的歷史中，詩歌文本所呈顯的文學聲音。論文首先從鄭思肖詩文作品中探究寫作的特殊性與敘述模式，藉由詩歌作品剖析內化於鄭思肖的家國創傷如何反應在其詩文的寫作中。其次從題畫詩與詠史的書寫範疇探究作者詩＼畫的互文性，最後從鄭思肖的詠陶論述中，探究身為遺民的作者，如何藉由偶像的崇拜來自我觀照並產生理想的仿效，來抒發個人的悲憤意識。本文希冀透過詩歌文本所隱含歷史性，詮釋鄭思肖詩文中呈現的歷史圖像與社會意識，並透過文本中的悲憤之音闡發鄭思肖身為宋元遺民的主體意識，與個人內在的複雜家國情感與論述。

Zheng Sixiao is a relic of the Southern Song Dynasty. His lived in the time when the Mongolian and Southern Song Dynasty entered military confrontation. His literary works are full of grief and indignation about the chaos and thoughts of his homeland. This article mainly discussion the remains of Zheng Sixiao on the Dingge. In the period, the literary sounds revealed by the poetry texts in this particular history are discussed. Firstly, the thesis explores the particularites and narrative mode of writing from Zheng Sixiao's poetry works. Through the analysis of poetry works, the internal trauma of Zheng Sixiao's family is reflected in the writing of his poetry. Secondly, it explores the intertextuality of the author's poems and paintings from the writing categories of the poems and the history of the paintings. Finally, from the narration model of Zheng Sixiao's grief, he explores the authors who are survivors, and how to use idol worship to observe and produce ideals. and express personal anger. This article hopes to interpret the historical images and social consciousness presented in Zheng Sixiao's poems through the implicit history of poetry texts, and through the sorrowful voices in the text, to elucidate the main consciousness of Zheng Sixiao as a relic of the Song and Yuan Dynasties, and the complex family of the individual.